Spamalot in Vancouver: Spam ei kohtuullinen ajaksi email
I’ve been a Monty Python fan for years, and the thing that drew me in was Monty Python and the Holy Grail [wp]. Like most good nerds I could recite complete passages of the film from memory, having watched it more times than anyone should ever watch any film. Later I’d get into the show through the audio recordings, then eventually renting the VHS tapes of the BBC show.
Yet I was oddly unwilling to pay good money to see Monty Python’s Spamalot. Some of it was that of all the Pythons Eric Idle, the driving force behind Spamalot, had always been my least favorite of the group and had always seemed the most willing to cash in on the group’s fame no matter how tacky.
And tacky it is, though in the glorious tacky manner that both embraces and mocks its translation from low budget film to Broadway musical. In a lot of ways this is a meta-musical, playing with the form the same way that the movie played with the form of movie theatre. Songs such as “Diva’s Lament” and “You Won’t Succeed On Broadway” are often less about the plot, than about the fact that a musical is going on. Some songs are slightly altered versions from the movie, while Idle brings “Always Look On The Bright Side Of Life” in from Life of Brian to help fill the show out.











